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Plugin Alliance – Elysia alpha compressor Plugin in Action May 17, 2016

Posted by markallanwolfe in Uncategorized.
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The ultimate mastering tool – and then some.

Source: Plugin Alliance – Elysia alpha compressor Plugin in Action

MusicDish e-Journal – Venues Refuse to Pay Songwriters While Profiting From Their Music April 18, 2016

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Source: MusicDish e-Journal – Venues Refuse to Pay Songwriters While Profiting From Their Music

PRS Guitars Brings Back a Classic with Its New CE24 Bolt-On April 2, 2016

Posted by markallanwolfe in branding, Cool Stuff, markallanwolfe.com, music video, personal, Recording Helps, silly things, Uncategorized.
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Since the dawn of rock and roll, the snap and response that comes from a bolt-on neck guitar has been an essential part of the mix. PRS Guitars’ original bolt-on CE was introduced in 1988 and after nearly a decade of being out of the lineup, PRS has brought the CE 24 bolt-on platform back with some significant updates in 2016. “After 30 years of guitar making, we’ve learned a lot, and we have used all that knowledge to update our original CE bolt-on model,” says PRS founder Paul Reed Smith.

Source: PRS Guitars Brings Back a Classic with Its New CE24 Bolt-On

100-years-of-rock March 20, 2016

Posted by markallanwolfe in branding, Cool Stuff, markallanwolfe.com, personal, silly things, Uncategorized.
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From Grunge to Gospel! You really need to check this cool thin out. The time and effort is amazing you can click o the titles to hear a sample of what each genre sounds like AMAZING helpful little app and plugin I think. What are your thoughts on this bad boy?
If you want to check out some of my music feel free to visit markallanwolfe.com/music.html or just click here MUSIC


Click image to see the full interactive music graphic(via Concert Hotels).

The JHS Colour Box February 25, 2016

Posted by markallanwolfe in Cool Stuff, markallanwolfe.com, music video, personal, Recording Helps, Uncategorized.
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JHS Colour Box

Hey Guys@ I thought this was a great little example of what a cool little pedal can do and I loved the tone and all the optional tones you could find. I am all about sharing the tone my brothers and sisters. So take a moment to learn and educate yourself and check out the jamming to. I do not own one of these but I think I may have to get one. Let me know what you think?

JHS Pedals Colour Box

In 1961 a British engineer would start a company from a spare room in his England home that would permanently change the history of the Pro Audio industry. This company set a trajectory for musical tones that spanned across genres and impacted every generation that followed. We are talking about the infamous piece of gear known as the Neve* recording console. From “Love Me Do” by The Beatles to the famous sounds of Led Zeppelin, U2, Spoon, Pink Floyd, Motown, Quincy Jones, Nirvana, Steely Dan, Neil Young, Tears For Fears, and Tom Petty (the list is endless), The Colour Box is our tribute to the legend and application of how a piece of gear can change music.

Have you ever heard songs like the Beatles “Revolution”, or Motown classics like Jackson 5, Marvin Gaye, or even the modern Radiohead’s “Bodysnatchers” and thought, “How are they getting that guitar sound?” Well, the answer is sort of clothed in obscurity, but it’s actually created by the simplest practical application……plugging a guitar directly into a vintage studio console and recording “direct in.” The JHS Pedals Colour Box is designed and created to allow you to recreate these infamous guitar tones with your live rig, or in a studio environment by using 100% analog circuitry true to the design and schematic of vintage Neve* circuitry. The Colour Box is completely free from any digital modeling. Never before have “direct in” tones been available from your guitar amp in the way that the Colour Box delivers them. Aside from creating these “direct in” tones, the Colour Box covers all the ground that you would expect a high quality studio preamp to cover. From your microphone, bass, keyboard, or even your acoustic guitar, it does it all.

Whats Inside?
We have gone to great lengths to bring the color and character of a real vintage console to your feet or desktop. We started with two gain stages in series that produce beautiful clean tones but that can also destroy any signal into a beautiful fuzzy mess, full of rich harmonics and body with over 39db of gain on tap. The local feedback of each gain stage makes for a very unique type of distortion. We used the same topology and discrete gain stage found in the Neve* 1073, but we have two gain stages in series instead of one. We use a high quality Lundahl transformer that adds weight, heft, and a 3D quality just like preamps that you will find costing much more. The transformer fattens the lows, adds harmonic complexity and richness to the midrange (kinda like stirring flour into your drippings to give you gravy) as well as smoothing and rounding of the high frequencies. It also blocks all DC voltages, adds electrical isolation, and blocks RF frequencies ensuring super quiet operation and noise floor.

The Controls and Jacks?
Think of the controls as three separate sections:

1. Gain (RED)
The gain structure is made up of three parts:
–The Pre Volume (labeled “Pre-Vol”) can be used the same as you would a Drive knob on an overdrive pedal. In this circuit, the Pre Volume is between the two gain stages, and the setting of the Pre Volume determines how much signal continues to the second stage.
–The Master Gain (labeled “Master”) is what would typically be considered as a Volume control. Other terms are “master volume” or the “output trim.”
–The Step Gain (labeled “Step”) changes the gain of each preamp stage in five stages. Rotating the “Step” knob from left-to-right will increase the gain by the following:
1 is X 18 db
2 is X 23 db
3 is X 28 db
4 is X 33 db
5 is X 39 db

2. Equalizer / Tone Control (BLUE)
The tone control section is a highly modified Baxandall type that is tuned for less control interaction and more boost/cut capability. The center frequencies are Treble 10kHz, Middle 1kHz, and Bass 120Hz, with +/- 17dB of control.

3. Highpass Filter (YELLOW)
The Highpass spans from 60Hz to 800Hz with a 6dB per octave slope. This control allows you to only let high frequencies pass. In return you will find a vast palet of tones that sit perfect and inspire textures that you have never heard from your rig. The toggle switch will turn the Highpass on or off.

In and Out Jacks
You will notice that in addition to the normal 1/4″ instrument input/output found on a guitar pedal, we added an XLR input and output so that The Colour Box can be used as a vocal, bass, acoustic, or keyboard preamp live or in the studio. The 1/4″ mono output and the XLR output are independent and allow you to run parallel outputs to two destinations. For example, run the 1/4″ mono out into your guitar amplifier and at the same time run the XLR output to your front-of-house mixing board. Another example of using parallel outputs would be to track amp tones and the “direct in” sound of your performance onto two separate tracks. We achieved the parallel output by way of a discrete shunt-feedback circuit.

Parallel Compression Tips for Drum Mixes February 9, 2016

Posted by markallanwolfe in Cool Stuff, markallanwolfe.com, personal, Recording Helps, Uncategorized.
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Watch this video to learn a clever mixing trick that will give your drum mixes extra drive and impact – parallel drum compression using the SSL plugins.

Thought for the Day July 11, 2015

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Thought for the Day.

Thought for the Day July 11, 2015

Posted by markallanwolfe in personal, Spirituality, Uncategorized.
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The Peace Prayer

Lord, make me an instrument of Thy peace;
Where there is hatred, let me sow love;
Where there is injury, pardon;
Where there is error, the truth;
Where there is doubt, the faith;
Where there is despair, hope;
Where there is darkness, light;
And where there is sadness, joy.

O Divine Master,
Grant that I may not so much seek
To be consoled, as to console;
To be understood, as to understand;
To be loved as to love.

For it is in giving that we receive;
It is in pardoning that we are pardoned;
And it is in dying that we are born to eternal life. Amen.

How is it that most of us do not act like this? It is because we have the “I” In English, all substantives an dpronouns are written with small letters; only the “I” is written with the Capital. If I have no “I” no evil can harm me, nothing can get to me for “I” have ceased to be.

Most all the troubles in the world have sprung from the “I” For we care for it, lavish great gifts on it, when we love the “I” more than the LORD we are NOT following Jesus, we cease to be Christians. The word Christian means we are following Jesus. In Luke 9:23 Jesus said, “If anyone would come after me let him deny himself, take up his cross and follow me”

If you are dead you have no opinion, no way to get offended. You feed that which is alive….

 

Well this is your thought for the day….

 

 

 

 

Your There July 2, 2015

Posted by markallanwolfe in Uncategorized.
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Your There.

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